Dr. Robert Hyland
Qualifications and Research Interests
- PhD, University of Kent, Film Studies
- MA, York University, Film Theory and Criticism
- BA (Hons), University of Western Ontario, English Literature and Film Studies
Dr. Robert Hyland’s research interests are in Asian Cinema. He has been involved in the editorial boards for the journals Asian Cinema and the IAFOR Journal of Asian Cultural Studies, where he has acted as contributor, editor and has published on issues relating to Chinese and Japanese film. He has recently hosted a conference on Post Beijing Olympics Chinese Cinema, and is editing a special edition on Chinese cinema, for the IAFOR journal on Asian Cinema. He has taught in the UK at the BISC and at both Sussex University and the University of Kent. He has also taught at the university level in Canada, Taiwan and Japan.
Hyland, Robert. “Introduction: Transnationalism in Post Olympics Chinese Cinema.” IAFOR Journal of Asian Studies. Vol. 1, Issue 2. Winter 2015 (Forthcoming).
Hyland, Robert. “A culture of borrowing: Iconography, ideology and idiom in Kari-gurashi no Arietti/The Secret World of Arrietty.” Journal of East Asian Popular Culture. Vol 1, Issue 2. Spring 2015
Hyland, Robert. “First Past the Post: 11th Asian Cinema Studies Society International Conference Roundup, Post-Asia Film, Media and Popular Culture, University of Macau, 14–16 July 2014” Asian Cinema. Vol. 25, Number 2. April 2015
Hyland, Robert. “Global Politics and a Cinema of Localism: Contemporary Taiwanese Film.” IAFOR Journal of Asian Studies. Vol. 1, Issue 1. Winter 2014
“Going Na’Vi: Mastery in Avatar.” Cineaction! No. 82, Science Fiction Edition. December 2010. 10-16.
“A Politics of Excess: Violence and Violation in Miike Takashi’s Audition.” Horror to the Extreme. Changing Boundaries in Asian Cinema. Edited by Jinhee Choi and Mitsuyo Wada-Marciano. Hong Kong: Hong Kong University Press, 2009.
Vocabularies in Management: English Vocabulary for Business Management Students. Edited by Robert Hyland and Jasmine Chen. Taiwan: MingDao University Press, 2009.
“Hybridity in Contemporary Japanese Cinema: Heterogeneity in a Homogenous Society.” Asian Cinema. Vol.14, Fall/Winter, 2002.
“How programmes can anticipate and manage the likelihood of behavioural problems” Association of American Study Abroad Programs Conference. Arcadia University, London. March 6, 2015.
“(Un) compromising Chineseness. Beijing and the Global Film Market.” Asian Cinema Studies Society Conference, University of Macau, Macau. July 14 – 17, 2014.
Peer Reviewing and Editing
Guest Editor for IAFOR journal of Asian Studies Vol 1 Issue 02, special edition on Chinese Cinema. (Forthcoming Winter 2015)
Member of Editorial Board and Peer Reviewer for IAFOR Journal
Member of Editorial Board and Peer Review for journal Asian Cinema, Intellect.