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Delivery Mode: Online
Term Offered: Fall 2013
Session Dates: Sept 9-Nov 29, 2013
Exam Dates: Dec 4-19, 2013
Prerequisites: C in ENGL 100/6.0 or registration in GNDS Plan
Exclusions: ENGL 265/3.0
Note: When offered online, this course focuses on English, American and Canadian women writers of the twentieth century.
The following is presented for informational purposes only and is subject to change.
Dr. Asha Varadharajan Learn more about the instructor...
E-mail: varadhar@queensu.ca
Phone: (613)533-6000 x 74420
In A Room of One's Own (1929), Virginia Woolf wonders, "who shall measure the heat and violence of the poet's heart when caught and tangled in a woman's body?
This course introduces you to fiction, poetry and drama by twentieth-century and twenty-first century women writers who have sought both to "measure" and to heal the division between poet's heart and woman's body that Woolf so eloquently describes.
First, we will concern ourselves with the global diversity of feminine Anglophone literary traditions across categories of genre, race, ethnicity, class, sexuality, and geography. Second, we will explore how women writers adapt and alter masculine literary influences to both scandalous and sobering effect. Finally, we will consider how literature by women offers a unique and often dissident perspective on the radical social, economic, psychological, scientific and technological, and cultural transformations of the modern and contemporary world. Throughout the dissemination of this course, pertinent reference will be made to aural, oral, visual and digital cultural production by women as well as to significant moments of collective struggle.
While women have a well-established "literature of their own" (Elaine Showalter's phrase) and no longer need to prove its existence, the continue to defend its value and necessity. The aim of this course is to explain whether and how a distinct female voice, perspective, and style can be discerned in the astonishing wealth and variety of Anglophone literary traditions and why sexual difference matters in the writing and interpretation of literature. By the end of this course, you should be able to:
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