The primary focus of this thesis is a study of Pelike AA1635 from Queen's University, but originally from the Diniacopoulos Collection, which is housed primarily in Montreal, Quebec. As mentioned, the vessel being studied is a pelike, a shape that does not appear into the repertoire of Athenian vase makers until around the last quarter of the sixth century B.C., shortly before the beginning of the Classical period. This type of vessel served primarily as a container for holding either wine or oil and thus was relatively common because of its practicality.
This thesis is basically a study of all the comparanda available concerning pelikai, but also the iconography depicted on the vessel. In order to properly place this vessel into the corpus of known pelikai, the iconography will be extremely useful and may in fact be the most important tool in determining all the possible information about this vessel.
This thesis seeks to explore the nature of Fulvia's role in history to the extent that the evidence permits. Fulvia is most famous for her activities during Antony's consulship (44 BC) and his brother Lucius Antonius' struggle against C. Octavian in the Perusine War (41-40 BC). But there is a discrepancy among the authors as to what extent she was actually involved. Cicero, Octavian and Antony, who were all key plays in events, provide their own particular versions of what occurred. Later authors, such as Appian and Dio, may have been influenced by these earlier, hostile accounts of Fulvia.
This is the first study in English to make use of all the available evidence, both literary and material, pertaining to Fulvia. Modern scholarship has a tendency to concentrate almost exclusively on events towards the end of Fulvia's life, in particular the Perusine War, about which the evidence is much more abundant in later sources such as Appian and Dio. However, to do this ignores the importance of her earlier activities which, if studied more fully, can help to explain her actions in the 40's BC.
This thesis is divided into five chapters. The first provides an introduction to the topic and a biography of Fulvia. The second is a review of the modern scholarship on Fulvia. The third focuses on the contemporary sources, both the literary evidence from Cicero, Cornelius Nepos and Martial, as well as the surviving material evidence, namely the sling bullets found at Perusia and a series of coins that may depict Fulvia in the guise of Victoria. The fourth is a discussion of those authors born after Fulvia's death in 40 BC, of whom the most important are Plutarch, Appian and Dio. The fifth provides a conclusion to the thesis, and returns to the questions posed above in light of the analysis of the sources provided throughout the thesis. It concludes that Fulvia played a significant role in events, particularly from Antony's consulship onwards, and that her actions were deliberate and politically motivated. Moreover, while these actions were done on her husbands' behalf, she nevertheless exhibited a remarkable degree of independence.