Daniel Mitchell (Essay)
A Reassessment of the Roman Figure in the Central Scene of Augustus of Prima Porta Cuirass.
Since its discovery in 1863 there has been a great deal of scholarly debate concerning the Roman figure in the central scene of the Augustus of Prima Porta’s cuirass. Some have identified the figure as an abstract character, others as a specific deity or historical figure. Most past scholarship has avoided a detailed assessment of the Roman figure, including its physical features, its uniform, the object under its upper left arm, and the canine at its feet. Collectively, these features indicate Tiberius is the Roman figure. Historically, he was the recipient of the standards from Parthia and the commander of Roman forces in neighbouring Armenia. As the first successor to the emperorship, no opportunity could be lost for reminding citizens, even in the private sphere, that Tiberius, who personally secured the standards and peace, earned his place as the head of the Roman state.
Miranda Siklenka (Thesis)
Apulian Warrior-Heroes and Greek Citizens: Mortuary Constructions of Identity in Ruvo di Puglia and Metaponto. (QSpace)
The purpose of this thesis is to shed light on the socio-political ideology of the warrior- aristocracy of Ruvo di Puglia and the inhabitants of the Greek polis of Metaponto through observation of the motifs on the figured vessels placed in wealthy tombs. By examining the mortuary deposits of the Ruvo tombs alongside those from Metaponto, we will be able to see some similarities between the two cities. While these similarities imply a level of cultural sharing, they more succinctly show that the indigenous inhabitants of Ruvo were quite selective in borrowing from the Greeks. However, the differences provide the best insight into the fascinating practices of the Apulians. I show that the Apulian chieftains coveted a warrior-hero status and were not hesitant to liken themselves to the legendary Achilles or Herakles, while the Greeks saw such practices as a breach of the fundamental principles of their polis-centered egalitarianism. This is significant for the understanding of the cultural environment of Magna Graecia since only little remains in terms of primary sources on the subject.
Julianna Will (Thesis)
Euripides' 'Antiope' and the Theban Trilogy. (QSpace)
This thesis is a discussion, reconstruction, and analysis of Euripides’ lost Antiope. Based on metrical studies which suggest a date much earlier than its usual date of 410 or 408 B.C., I specifically focus on the possibility that Antiope might be part of a larger Theban trilogy, produced together with Suppliant Women and one other play. I begin with a thorough look at the mythological material existing before Euripides’ version of the story, as well as the tragedy’s effect on later versions. From there I provide a translation of the existing fragments arranged in the order I believe they were written for the tragedy, and a reconstruction with discussion. The latter half of the thesis I devote to reading Antiope as part of a trilogy. I compare the similarities between the proposed Theban trilogy with the more firmly established Trojan trilogy, and I provide a discussion on Antiope and Suppliant Women, commenting on how reading the two plays together can drastically change an analysis of either. I conclude that even if Euripides did not have “trilogy” in mind when he wrote Antiope and Suppliant Women, the connection between the two tragedies is both too important and too subtle for them to have been produced in separate years and still have been appreciated by an ancient audience.