To date, my research has been largely about gender, critical race theory, religion, and neoliberalism. My MA thesis was entitled Gender, Christianities, and Neo/liberal Hegemony: An Ethnographic Exploration of Gender Discourse in a United Church Women's Group. Another strain of my work has been in contemporary art history, focusing largely on the politics and techniques of museum display. Now, I’m moving toward a thesis that incorporates my drawing practice as well as critical discussion around contemporary drawing practices as a way to explore and complement analyses I am building around concepts including the sacred, mystical experience, interior life, attention, the formation of ethical will and political conviction, and how this is expressed or developed at community levels.