Queen's Film and Media

Queen's Film and Media

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Dorit Photo

Inside the cinema it is dark and cool. Our cameraman is ready, and I let the projectionist know he can open the red curtains. A digitized silent 16mm reel starts playing, and the projectionist exclaims: “This was filmed here! I know exactly where it is.”  When the eight minute reel is over, and we have filmed from all angles, the projectionist unlocks a backdoor, and takes us to a parking lot, from which we can see remnants of the old sign:  The Regent theatre.  We are at Jerusalem’s Lev Smadar, an art cinema beloved and protected by many Jerusalemites.  Before Israel was established it belonged to a Palestinian, Ferdinand (Nando) Schtakleff, who owned a 16mm camera, and filmed home movies of life in Jerusalem, including coming to work at the theatre, and signing a deal at the MGM offices in Tel-Aviv. 

The Regent Picture

These home movies are incorporated into Jerusalem, We Are Here an interactive documentary that digitally layers the Palestinian past onto the Israeli present of southern Jerusalem.  The project involved Palestinians from the neighborhood who collaboratively made short poetic films that are embedded into a virtual walk, and an interactive map that is composed with information by the community.  The idea for this project was planted in 2007 when I found a hand drawn map of the neighborhood.  In 2011 I received SSHRC funding, and in 2013-14, during a sabbatical, started working with participants and with Helios Design Labs.  The project was launched in November of 2016 at RIDM and is available here: www.jerusalemwearehere.com

I came to Queen’s as a specialist in Israeli, and to a lesser extent, Palestinian cinemas.  I studied nationalism, gender and militarism, and expanded my work to include photography, and news media.  At Queen’s I found a department especially supportive of combining theory and practice, and I soon merged my filmmaking background (a BFA from Tel-Aviv University and an MFA from Syracuse University) with my theoretical interests (PhD from Alberta).  I developed a series of short videos, which I called DiaDocuMEntaRy, and in which I tried to address political questions, especially about the Palestinian/Israeli conflict, while also addressing authority and voice in documentary filmmaking.  See here for more info

http://diadocumentary.com/

Selected Publications

Articles Refereed:

“A Rave Against the Occupation: Speaking for the Self and Excluding the Other in Contemporary Israeli Cinema” in Identity in Motion: An Israeli Film Reader eds. Miri Talmon and Yaron Peleg, University of Texas Press, 2012.

“Combat cuties: photographs of Israeli women soldiers in the press since the 2006 Lebanon War” co-authored with Eva Berger, Media, War & Conflict 4(3) 269–286, 2011

“Unruly Daughters to Mother Nation: A Palestinian and an Israeli First Person Films.” Hypatia vol. 23 issue #2, Spring 2008.

“Brides of Palestine/Angels of Death: Media, Gender and Performance in the case of the Palestinian Female Suicide Bomber,” Signs: Journal of Women in Culture and Society, Summer 2007. Vol.32 #4. Pp. 933-95

Reprinted in Feminist Perspectives on War and Terror (eds.) Karen Alexander and Mary Hawkesworth, University of Chicago Press, 2008.

Reprinted in Gender Through the Prism of Difference, 4th ed. (eds.) Maxine Baca Zinn, Pierrette Hondagneu-Sotelo and Michael A. Messner, Oxford University Press, 2010. [Listed in the 20 most accessed articles on the Signs website]

"Elusive Frontiers: Borders in Palestinian and Israeli Cinema." Third Text, Vol. 20, issue 3/4 May-June 2006. pp. 511-521.

" The Silenced Outcry: A Feminist Perspective from the Israeli Checkpoints in Palestine." National Women Studies Association Journal.  18:3, Fall 2006.  PP. 168-180.

"In The Name of the Nation: Images of Palestinian and Israeli Women Fighters” in Killing Women eds. A. Burfoot & S. Lord-, Wilfred Laurier U. Press, 2006. Pp. 273-291.

 “Old Wine in New Bottles: Tekumah, an Israeli Resurrection of Social Change?” Jerusalem Quarterly Files, issue 19, 2003 PP. 37-48.

"Minding the Gap: Visual Perception and Cinematic Gap Filling" Style 36:1, Spring 2002 PP. 131-145.

“The Things You Can See From There: Notes on Liminality in Israeli and Palestinian Cinema,” Theory and Criticism #17, Spring 2001, PP. 215-221. In Hebrew.

"Orientalism as Alterity in Israeli Cinema," Cinema Journal 44:4, Summer issue, 2001, PP. 36-54.

“Woman/Nation: A Postcolonial Look at Female Subjectivity” Quarterly Review of Film and Video 17:4, Fall 2000, PP.333-342.

 

Books and Journals:

Public Screens co-editor, special issue of Public, Spring 2010.

DigiPopo, co-editor of a special issue of Public (#31, 2005).

Middle Eastern Media Arts, Guest editor for special issue of Framework, 43:2, Fall 2002.

 

Opinion Pieces In Press:

“I am a Palestinian Jew” Local Call (Hebrew) and 972 Magazine (English), June 2014.

“Canada Backs Netanyahu and Abandons Israelis” The Kingston Whig Standard, Dec. 5, 2012

“Coordinated Campaign Aimed to Stifle Academic Discussion about Israel Raised Critical Questions” CAUT Bulletin (Canadian Association of UniversityTeachers, October 2009.

“Israeli Election is Nothing to Celebrate” Rabble.ca, Feb. 11, 2009.

“Finally, I am a Canadian,” Kingston Whig Standard, Oct. 31, 2008.

“Zero Tolerance for Racists” Queens gazette, Nov. 24, 2008.

 

Filmography:

Jerusalem, We Are Here, 2016 www.jerusalemwearehere.com

Two Houses and a Longing (2008) https://vimeo.com/43469613

Jerusalem Walls: A Guided Tour (2006)

The Silver Platter (2005)

The Market's Song (2005)

Home, Bitter/Sweet Home (2003)

Salem/Jeru (2003)

O’ Canada, E.T. and Me (2003)

Dreams of Olive Groves  (1995)

Senses, Sensuality, 6th Sense and other Sensations  (1994) 

Absurdly Normal  (1994)

A Fetish is a Story Masquerading as an Object  (1994)

High Wire  (1992)

In The Spirit's Footsteps  (1992)

Tali  (1990)

Epilogue  (1989)