
SOLUS Course Catalog
Registration Guide
Arts and Science calendar
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| NB | 102*X | W | Introduction to the History of Western Art Music II | Colpa | M: 6.30-9.30 | WLH 205 |
| All | 103* | F | Music and Society | Walker | M: 8.30-9.30 T: 10.30-11.30 Th: 9.30-10.30 | HLH 124 |
| All | 171*X | F | Social History of Popular Music | MacKay | Th: 6.30-9.30 | DUN-AUD |
| All | 203* | W | Romantic & Twentieth Century Music | Walker | M: 8.30-9.30 T: 10.30-11.30 Th: 9.30-10.30 | HLH 124 |
| All | 204* | F | Baroque & Classical Music | Marvin | M: 9.30-10.30 W: 8.30-9.30 Th: 10.30-11.30 | HLH 124 |
| All | 205* | W | Medieval & Renaissance Music | Marvin | M: 9.30-10.30 W: 8.30-9.30 Th: 10.30-11.30 | HLH 124 |
| All | 380* | F | Topics in Music History and Culture I: Opera in the Twentieth Century | Marvin | M: 4.00-5.30 W: 2.30-4.00 | Rm. 124 |
| All | 386*X | W | Research and Bibliography in Ethnomusicology | Smith, Walker | M: 6.30-9.30 | GGSR |
| All | 473* | F | Directed Special Study I | |||
| All | 474* | W | Directed Special Study II | |||
| NB | 592 | FW | Honours Thesis |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| NB | P52*X | F | Rudiments | Burge | T: 6.30-9.30 | WLH 205 |
| All | 191 | FW | Theory and Analysis I | Burge | T: 8.30-9.30 W: 10.30-11.30 F: 9.30-10.30 | HLH 124 |
| All | 191-2** | FW | Tutorial 1 | Burge | W: 2.30-3.30 | HLH 213 |
| All | 191-3** | FW | Tutorial 2 | Burge | W: 3.30-4.30 | HLH 213 |
| All | 191-4** | FW | Tutorial 3 | Burge | W: 4.30-5.30 | HLH 213 |
| All | 255 | FW | Electroacoustic Music Composition | Allik, Rogalsky | T: 1.00-2.30 Th: 11.30-1.00 | HLH 120 |
| All | 291 | FW | Theory and Analysis II | Lind | M: 10.30-11.30 W: 9.30-10.30 F: 8.30-9.30 | HLH 124 |
| All | 351* | FW | Acoustic Composition | |||
| All | 352* | FW | Electroacoustic Composition | |||
| All | 354 | FW | Acoustic Composition | |||
| All | 355 | FW | Electroacoustic Composition | |||
| All | 358* | W | Jazz and Popular Music Arranging | Runions | M: 12.30-3.30 | HLH 120 |
| All | 392* | F | Theory and Analysis III | Lind | M: 1.00-2.30 W: 11.30-1.00 | HLH 124 |
| All | 396* | FW | Introduction to Orchestration | Burge | F: 2.30-4.30 | HLH 120 |
| All | 399* | F | Tonal Counterpoint | Allik | M: 2.30-4.00 Th: 4.00-5.30 | HLH 124 |
| All | 443* | W | Introduction to Schenkerian Analysis | Lind | T: 8.30-10.00 F: 10.00-11.30 | GGSR |
| All | 451* | FW | Acoustic Composition | |||
| All | 452* | FW | Electroacoustic Composition | |||
| All | 454 | FW | Acoustic Composition | |||
| All | 455 | FW | Electroacoustic Composition | |||
| All | 473* | F | Directed Special Study I | |||
| All | 474* | W | Directed Special Study II | |||
| All | 475*X | W | Special Topics in Music I - Soundscape Composition | Rogalsky | W: 6.30-9.30 | HLH 124 |
| NB | 592 | FW | Honours Thesis |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 181* | F | Woodwind Techniques and Methods I | Craig, Freeman | M: 12.30-2.30 Th: 1.30-2.30 | M: HLH 213 & Th: HLH 120 |
| All | 183* | F | Brass Techniques and Methods I | Tremblay | W: 11.30-1.30 Th: 1.30-2.30 | HLH 120 |
| All | 187* | F | Percussion Techniques and Methods I | Runions | M: 12.30-2.30 Th: 1.30-2.30 | HLH 120 |
| All | 270* | W | Conducting Techniques | Lamb | M: 10.00-11.30 W: 8.30-10.00 | HLH 120 |
| All | 273* | F | Introduction to Music Education | Frederickson | T: 9.30-10.30 F: 9.30-11.30 | HLH 120 |
| All | 274* | W | Music Education: Partnership Placement | Lamb | T: 9.30-10.30 F: 9.30-11.30 | HLH 120 |
| All | 332* | F | Music in Early Adolescence | Lamb | M: 10.00-11.30 W: 8.30-10.00 | HLH 120 |
| All | 333* | F | Dalcroze, Kodaly and Orff | Frederickson | T: 10.30-11.30 Th: 8.30-10.30 | HLH 120 |
| All | 336* | W | Music in Early Childhood and Primary Education | Frederickson | T: 10.30-11.30 Th: 8.30-10.30 | HLH 120 |
| All | 373*X | F | Music Theatre Practicum | Fort, Kelly | M: 6.30-9.30 | HLH 120 |
| All | 438* | F | Music Education Seminar | Lamb | M: 11.30-1.00 Th: 1.00-2.30 | GGSR |
| All | 470* | F | Topics in Music Education I - Music and Mass Media | Pegley | M: 10.00-11.30 W: 8.30-10.00 | GGSR |
| All | 471* | W | Topics in Music Education - Making Connections: An interdisciplinary approach to music education | Frederickson | M: 8.30-10.00 W: 10.00-11.30 | HLH 120 |
| All | 473* | F | Directed Special Study I | |||
| All | 474* | W | Directed Special Study II |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| BMus | 127* | FW | Ear Training and Sight Singing I | Tormann | M: 11.30-12.30 T: 1.30-2.30 Th: 12.30-1.30 | HLH 124 |
| BMus | 128-1* | FW | Keyboard Harmony I | Davidson | T: 4.30-5.30 | HLH 229 |
| BMus | 128-2* | FW | Keyboard Harmony I | Davidson | T: 12.30-1.30 | HLH 229 |
| BMus | 128-3* | FW | Keyboard Harmony I | Davidson | T: 9.30-10.30 | HLH 229 |
| BMus | 128-4* | FW | Keyboard Harmony I | Tormann | W: 9.30-10.30 | HLH 229 |
| BMus | 128-5* | FW | Keyboard Harmony I | Tormann | M: 9.30-10.30 | HLH 229 |
| BMus | 227-1* | FW | Ear Training and Sight Singing II | Tormann | T: 12.30-1.30 Th: 11.30-12.30 | HLH 213 |
| BMus | 227-2* | FW | Ear Training and Sight Singing II | Tormann | W: 12.30-1.30 F: 11.30-12.30 | HLH 213 |
| BMus | 228-1* | FW | Keyboard Harmony II | Davidson | W: 10.30-11.30 | HLH 229 |
| BMus | 228-2* | FW | Keyboard Harmony II | Davidson | W: 2.30-3.30 | HLH 229 |
| BMus | 228-3* | FW | Keyboard Harmony II | Davidson | T: 2.30-3.30 | HLH 229 |
| BMus | 228-4* | FW | Keyboard Harmony II | Davidson | W: 12.30-1.30 | HLH 229 |
| BMus | P04** | FW | Functional Piano | Davidson | W: 8.30-9.30 | HLH 229 |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| BMus | 120 | FW | Applied Study (Performance) I | |||
| BMus | 121 | FW | Applied Study I | |||
| NB | 124 | FW | Applied Music I | |||
| BMus | 125 | FW | Applied Study (Performance Recital) I | |||
| BMus | 220 | FW | Applied Study (Performance) II | |||
| BMus | 221 | FW | Applied Study II | |||
| NB | 224 | FW | Applied Music II | |||
| BMus | 225 | FW | Applied Study (Performance Recital) II | |||
| BMus | 261** | FW | Keyboard Accompaniment I | Szczesniak | M: 4.30-5.30 | HLH 213 |
| BMus | 320 | FW | Applied Study (Performance) III | |||
| BMus | 321 | FW | Applied Study III | |||
| NB | 324 | FW | Applied Music III | |||
| BMus | 325 | FW | Applied Study (Performance Recital) III | |||
| All | 326* | FW | Lyric Diction for Singers | Baird | T: 2.30-4.30 | HLH 213 |
| BMus | 420 | FW | Applied Study (Performance) IV | |||
| BMus | 421 | FW | Applied Study IV | |||
| NB | 424 | FW | Applied Music IV | |||
| BMus | 425 | FW | Applied Study (Performance Recital) IV |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 160**X | FW | Choral Ensemble I | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 162** | FW | Symphony Orchestra I | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 166** | FW | Jazz Ensemble I | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 178** | FW | Wind Ensemble I | Tremblay | T: 2.30-4.00 Th :2.30-4.00 | HLH 120 |
| All | 260**X | FW | Choral Ensemble II | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 262** | FW | Symphony Orchestra II | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 263** | FW | Unspecified Chamber Ensemble II | |||
| All | 266** | FW | Jazz Ensemble II | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 278** | FW | Wind Ensemble II | Tremblay | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| All | 360**X | FW | Choral Ensemble III | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 362** | FW | Symphony Orchestra III | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 363** | FW | Unspecified Chamber Ensemble III | |||
| All | 366** | FW | Jazz Ensemble III | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 378** | FW | Wind Ensemble III | Tremblay | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| All | 460**X | FW | Choral Ensemble IV | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 462** | FW | Symphony Orchestra IV | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 463** | FW | Chamber Ensemble IV | |||
| All | 466** | FW | Jazz Ensemble IV | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 478** | FW | Wind Ensemble IV | Tremblay | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | IDIS 410* | W | Contemporary Cultural Performance in Practice | Rogalsky | W: 2.30-5.30 F: 2.30-5.30 | TBA |