
Continuing and Distance Studies is pleased to announce the 2013 Summer Term listing of online courses as advertised on their website at http://www.queensu.ca/cds/courses.html . Registration in SOLUS for Queen’s full-time students will begin March 4th. Students from other universities may apply online now at http://www.queensu.ca/cds/apply.html
SOLUS Course Catalog
Registration Guide
Arts and Science calendar (Music courses begin on pg. 173)
Continuing and Distance Studies
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| NB | P52*X | A | Rudiments | Burge | T: 6.30-9.30 | WLH 205 |
| All | 153 | AB | Composition Seminar | Burge | F: 2.30-4.30 | HLH 120 |
| All | 191 | AB | Theory and Analysis I | Burge | T: 8.30-9.30 W: 10.30-11.30 F: 9.30-10.30 | HLH 124 |
| All | 191-2** | AB | Tutorial 1 | Burge | W: 2.30-3.30 | HLH 213 |
| All | 191-3** | AB | Tutorial 2 | Burge | W: 3.30-4.30 | HLH 213 |
| All | 191-4** | AB | Tutorial 3 | Burge | W: 4.30-5.30 | HLH 213 |
| All | 291 | AB | Theory and Analysis II | Lind | T: 9.30-10.30 Th: 8.30-9.30 F: 10.30-11.30 | HLH 124 |
| All | 351* | AB | Acoustic Composition | |||
| All | 352* | AB | Electroacoustic Composition | |||
| All | 354 | AB | Acoustic Composition | |||
| All | 355 | AB | Electroacoustic Composition | |||
| All | 392* | A | Theory and Analysis III | Lind | M: 10.00-11.30 W: 8.30-10.00 | HLH 124 |
| All | 445* | B | Special Topics in Advanced Analysis | Lind | M: 1.00-2.30 W: 11.30-1.00 | GGSR |
| All | 451* | AB | Acoustic Composition | |||
| All | 452* | AB | Electroacoustic Composition | |||
| All | 454 | AB | Acoustic Composition | |||
| All | 455 | AB | Electroacoustic Composition | |||
| All | 473* | A | Directed Special Study I | |||
| All | 474* | B | Directed Special Study II | |||
| All | 476* | B | Special Topics in Music II - Visual Music | Allik | M: 8.30-11.30 | HLH 124 |
| NB | 592 | AB | Honours Thesis |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 180* | A | Vocal Techniques and Methods | Baird | Th: 11.30-1.30 F: 1.30-2.30 | HLH 124 |
| All | 185* | A | String Techniques & Methods I | Dalbec-Szczesniak | T: 12.30-2.30 F: 1.30-2.30 | HLH 120 |
| All | 188* | A | Guitar Techniques & Methods | Hanlon | W: 6.30-8.30 F: 1.30-2.30 | HLH 120 |
| All | 270* | B | Conducting Techniques | Lamb | M: 2.30-4.00 Th: 4.00-5.30 | HLH 120 |
| All | 273* | A | Introduction to Music Education | Frederickson | M: 9.30-10.30 W: 8.30-10.30 | HLH 120 |
| All | 274* | B | Music Education: Partnership Placement | Frederickson | M: 9.30-10.30 W: 8.30-10.30 | HLH 120 |
| All | 328* | AB | Applied Pedagogy: Piano | Shannon, Zuk | W: 2.30-4.00 | HLH 120 |
| All | 333* | A | Dalcroze, Kodaly and Orff | Frederickson | M: 1.30-2.30 W: 11.30-1.30 | HLH 120 |
| All | 336* | B | Music in Early Childhood and Primary Education | Frederickson | T: 12.30-2.30 Th: 11.30-12.30 | HLH 120 |
| All | 338* | A | Music in Senior High School | Runions | F: 2.30-5.30 | HLH 124 |
| All | 439*X | B | Studies in Music Education: Creativity | Lamb | M: 11.30-1.00 Th: 1.00-2.30 | HLH 120 |
| All | 473* | A | Directed Special Study I | |||
| All | 474* | B | Directed Special Study II |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| BMus | 127* | AB | Ear Training and Sight Singing I | Tormann | M: 1.30-2.30 W: 12.30-1.30 F: 11.30-12.30 | HLH 124 |
| BMus | 128-1* | AB | Keyboard Harmony I | Davidson | W: 8.30-9.30 | HLH 229 |
| BMus | 128-2* | AB | Keyboard Harmony I | Davidson | T: 4.30-5.30 | HLH 229 |
| BMus | 128-3* | AB | Keyboard Harmony I | Tormann | M: 11.30-12.30 | HLH 229 |
| BMus | 128-4* | AB | Keyboard Harmony I | Tormann | M: 9.30-10.30 | HLH 229 |
| BMus | 227-1* | AB | Ear Training and Sight Singing II | Tormann | T: 12.30-1.30 Th: 11.30-12.30 | HLH 124 |
| BMus | 227-2* | AB | Ear Training and Sight Singing II | Tormann | T: 10.30-11.30 Th: 9.30-10.30 | HLH 213 |
| BMus | 228-1* | AB | Keyboard Harmony II | Davidson | W: 10.30-11.30 | HLH 229 |
| BMus | 228-2* | AB | Keyboard Harmony II | Davidson | W: 12.30-1.30 | HLH 229 |
| BMus | 228-3* | AB | Keyboard Harmony II | Davidson | T: 1.30-2.30 | HLH 229 |
| BMus | 228-4* | AB | Keyboard Harmony II | Davidson | T: 2.30-3.30 | HLH 229 |
| BMus | P04** | AB | Functional Piano | Davidson | W: 9.30-10.30 | HLH 229 |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| BMus | 120 | AB | Applied Study (Performance) I | |||
| BMus | 121 | AB | Applied Study I | |||
| NB | 124 | AB | Applied Music I | |||
| BMus | 125 | AB | Applied Study (Performance Recital) I | |||
| BMus | 220 | AB | Applied Study (Performance) II | |||
| BMus | 221 | AB | Applied Study II | |||
| NB | 224 | AB | Applied Music II | |||
| BMus | 225 | AB | Applied Study (Performance Recital) II | |||
| All | 253*X | B | Introduction to Jazz Improvisation | Runions | F: 2.30-5.30 | HLH 124 |
| BMus | 261** | AB | Keyboard Accompaniment I | Szczesniak | M: 10.30-11.30 | HLH 213 |
| BMus | 320 | AB | Applied Study (Performance) III | |||
| BMus | 321 | AB | Applied Study III | |||
| NB | 324 | AB | Applied Music III | |||
| BMus | 325 | AB | Applied Study (Performance Recital) III | |||
| All | 328* | AB | Applied Pedagogy: Piano | Shannon, Zuk | W: 2.30-4.00 | HLH 120 |
| BMus | 420 | AB | Applied Study (Performance) IV | |||
| BMus | 421 | AB | Applied Study IV | |||
| NB | 424 | AB | Applied Music IV | |||
| BMus | 425 | AB | Applied Study (Performance Recital) IV |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 160**X | AB | Choral Ensemble I | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 162** | AB | Symphony Orchestra I | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 166** | AB | Jazz Ensemble I | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 167**X | AB | Jazz Choir | Kelly | M: 6.30-9.30 | HLH 120 |
| All | 178** | AB | Wind Ensemble I | Tremblay | T: 2.30-4.00 Th :2.30-4.00 | HLH 120 |
| All | 260**X | AB | Choral Ensemble II | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 262** | AB | Symphony Orchestra II | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 263** | AB | Unspecified Chamber Ensemble II | |||
| All | 266** | AB | Jazz Ensemble II | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 278** | AB | Wind Ensemble II | Tremblay | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| All | 360**X | AB | Choral Ensemble III | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 362** | AB | Symphony Orchestra III | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 363** | AB | Unspecified Chamber Ensemble III | |||
| All | 366** | AB | Jazz Ensemble III | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 378** | AB | Wind Ensemble III | Tremblay | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| All | 460**X | AB | Choral Ensemble IV | Sirett | T: 6.30-9.30 | Dupuis Auditorium |
| All | 462** | AB | Symphony Orchestra IV | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 463** | AB | Chamber Ensemble IV | |||
| All | 466** | AB | Jazz Ensemble IV | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 478** | AB | Wind Ensemble IV | Tremblay | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | IDIS 311* | A | Sound Production | Rogalsky | F: 9.30-12.30 | Rm. 120 |
| All | IDIS 410* | A | Contemporary Cultural Performance in Practice | Rogalsky | W: 2.30-5.30 F: 2.30-5.30 | TBA |