History of Queen's University

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Refurbished Interior of part of Queen's College (birthplace of Romanes 1848)  Click Here or see below:

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Personal Touch     Kingston Life Interiors, Spring 2012   (Reproduced with permission of the Editor - Jane Deacon)

Entrance Hall of 203 William Street

Homeowners: Patricia and Donald Forsdyke
Location: Sydenham Ward
Size: 2,100 square feet
Years lived in: 30

by lindy mechefske
photography by tim forbes

Patricia and Donald Forsdyke's beautiful Sydenham Ward townhouse has a remarkable pedigree. Kingston City Hall architect George Browne designed and built the Georgian limestone in 1841 for his own use. One side was his private dwelling and the other, his studio and office. In September 1844, Queen's College, the predecessor of Queen's University, leased the building, using one side for classes and the other as a preparatory school. In 1854, Queen's moved to its new site, the present campus location, but continued to use the limestone building until 1862.

It seems impossible to imagine, standing in the Forsdyke's gracious home, that more than a century-and-a-half ago students would have gathered here for lectures at the new college. Those students could scarcely have pictured a modern lecture hall with professors wearing microphones, hundreds of students and electronic gadgets of all descriptions. Remarkably, in 1844 when these students attended their classes, Thomas Edison was still another three-and-a-half decades from inventing the incandescent light bulb.

The Forsdykes have preserved the integrity of their home while adding their own wonderful mix of English country and art-gallery-chic style for a house that exudes functionality, history and a terrific sense of personality.


TOP: The living room retains its Georgian details, while a Barcelona chair brings the look up-to-date.
ABOVE: The gallery wall is adorned with images collected over many years, with some pieces by their daughters.

What initially attracted you to the house? We bought the house in 1982, after living in Cartwright Point. We were looking for a place close to downtown, close to Queen's and KCVI. Our four daughters were in various stages of schooling and this location just made sense for us. As to the house itself, it simply needed saving. We loved its bones, the big principal spaces - the ample living room for example, and the high windows. The view of St. Mary's Cathedral from the back of the house was one of many charming surprises.

When you bought your house, did you have a clear idea of what you wanted to do with it?
How has it transformed since then? Our most basic instinct was not to destroy anything. We wanted to preserve and restore as much as possible of the original Georgian style, although we also needed a functional family home. Along the way we consulted both a local architect and a civil engineer, and did a lot of research about the architecture of the era.
The house needed major repairs throughout. The wiring was turn-of-the-century, the interior plaster was falling down, the roof was leaking, the foundation was sagging, the plumbing was ancient and inadequate, the kitchen was antiquated, the bathrooms needed overhauling, the floors had a definite slant, the garage was still a horse shed, and one of the windows wells was stuffed with hay for insulation. In short, it needed everything.
Our four daughters were delighted when we moved in because the early phase of reconstruction meant six straight weeks of eating out.

How would you describe the current style of your home? Quite simply, it's eclectic and timeless. We chose classic, well-made furniture and added fun accents. The art was collected over many years. Some of the pieces were done by our daughters, some we found, other pieces we bought at auction.

What was the ultimate design goal when redecorating your home?
Preserving the integrity of the house was paramount. The house is Georgian but was later Edwardianized. One of the giveaways is the windows. The original windows would have been a style called "six over six." These were later changed out, destroying some of the original character. Other things like the stained glass panels were added later too, but we've left them alone because they are beautiful. Our goal was to respect the architecture while making the home fun and liveable.

What was the greatest challenge of decorating your home?
Renovating was a bigger challenge than decorating. If we had it do all over, we'd choose not to live in the house during the renovations, but that wasn't an option. We were making so many decisions that we made a couple of blunders. For instance, we fixed the plaster before realizing that one corner of the house needed to be lifted, so then the plastering had to be redone, again. The decorating came naturally, in layers, and with time.

Grand Entry  Dining Room  Breakfast table

ABOVE: The kitchen is a mixture of styles from mid-century modern to English country. The exposed timber beam is not original to the house.
LEFT: The home's grand entry is adorned with the couple's extensive art collection.
MIDDLE: The formal dining room mixes antique furnishings with bold colours and an informal light fixture adds a bit of whimsy.
RIGHT: An original Eero Saarinen tulip table and chairs define the breakfast nook. A classic stained glass pendant hangs above.

What is your biggest splurge item? We're not good at compromising and have quite a list of splurge purchases, but having the wood floors redone properly throughout was a huge splurge. Other items include a spectacular vintage mirror purchased at the Cabin Fever Antique Show, and incredibly funky white leather chairs from California.

What is your favourite room and why? We both love Donald's second-floor study where we knocked a wall out and used two of the six bedrooms to make a fabulous large space for all our books and family photographs. We also love the kitchen, which is very English country.

What is your favourite piece?
That's difficult, there are so many favourites! The oversized sideboard in the dining room and the antique pine table in the study both come to mind. We also love the custom woodwork we had done by local craftsman, Eric Peters. But if we have to pick one favourite, it would have to be the statue of Horatio Nelson that lives in the study. We saw him at auction and resisted. But Nelson won, and after some effort we tracked him down and managed to pick him up later. He's always been such good fun.

Funky chairs 

TOP LEFT: In the living room sit two funky white leather chairs from California.
The door on the upstairs bathroom was fitted with a piece of stained glass from Balleycanoe & Co.
ABOVE: What was once two bedrooms now serves as a private study. The Horatio Nelson statue was a lucky auction find.

Do you have a favourite bargain piece? This would have to be the upstairs bathroom door. We purchased a lovely piece of stained glass at Balleycanoe & Co., in Mallorytown. For years it lurked about, with no purpose. Then we had the bright idea to use it in an interior door. It is translucent so provides privacy, but the light shines through and the colours, all the pinks and mauves, work with the rest of the house.

What do your friends say about your home?
Some people thought we were quite mad to take on such a project; the house was a wreck, there was a murder next door just after we moved in, and we lived in a complete muddle during the renovations. Now that is all long forgotten and what we hear is, "What a charming home!"

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Established April 2012 and last edited 11 November 2020 by Donald Forsdyke