Social and Ecological Justice
Date
Friday April 5, 202411:30 am - 1:30 pm
Location
Isabel Bader Centre for the Performing Arts, Room 222University Wide
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Friday April 5, 2024Location
Isabel Bader Centre for the Performing Arts, Room 222Date
Tuesday March 12, 2024Location
Isabel Bader Centre for the Performing Arts, Room 222Korean Media Roundtable
March 12 at 2:30 - 4pm
Screening room 222
Isabel Bader Centre for the Performing Arts
Date
Monday March 11, 2024Location
Isabel Bader Centre for the Performing Arts, Rehearsal Hall\
Whitewashing in US Film Culture
Guest Speaker: David Oh
Monday, March 11 12:30 - 2pm Reception to follow
Rehearsal Hall, Isabel Bader Centre for the Performing Arts
Start Date
Saturday March 9, 2024End Date
Tuesday March 19, 2024Time
10:00 am - 4:00 pmLocation
Isabel Bader Centre for the Performing Arts, Art & Media LabArt & Media Lab March 9-19 M-F 10-4pm
Isabel Bader Centre for the Performing Arts
Date
Friday March 1, 2024Location
Isabel Bader Centre for the Performing ArtsDate
Tuesday February 27, 2024Location
LAMONTANA: Documentary Screening
Feb. 27 at 2:30
Room 222, The ISabel
Date
Friday March 1, 2024Location
A Retrospective of Films by Jennifer Dysart
March 1st, 11:30am
The Isabel, room 222
Date
Friday March 8, 2024Location
Isabel Bader Centre for the Performing Arts, Room 222Outer Worlds: Panel Discussion
Friday, March 8, 2024
1:00–2:30 p.m.
Room 222, Isabel Bader Centre for the Performing Arts, 390 King Street West
Outer Worlds panel discussion with Dr. Marchessault and artists Oliver Husain, Leila Sujir, and Mani Mazinani.
Janine Marchessault is Professor in Cinema and Media Arts at York University, and holds a York Research Chair in Media Art and Social Engagement. Her research engages with the history of large screen media (from multiscreen to Imax to media as architecture and VR). She belongs to the CinemaExpo67.ca research group. Her latest project is an expanded cinema project, Outer Worlds (outerworlds.org) – commissioning five IMAX films by artists, which premiered at the Cinesphere in 2019 and will begin touring soon.
She is the Director of Archive/Counter-Archive: Activating Canada’s Moving Image Heritage (2018–2024), a research collaboration involving more than 20 community and artist-run archives devoted to diverse histories from Indigenous, LGBTQ2+, immigrant, and women’s communities. Her most recent monograph is Ecstatic Worlds: Media, Ecologies, Utopias (MIT, 2017) and co-edited collection Process Cinema: Handmade film in the Digital Age (MQUP, 2019).
Leila Sujir is an artist working in video and video installation. Over the last forty years, Sujir has been building a body of video art works using a mix of fiction, fantasy and documentary with visual and audio collage techniques. Her video art works have been shown in group shows at the Museum of Modern Art (New York) and the Tate Gallery (Liverpool), as well as galleries all over the world. Her work is in collections including the National Gallery of Canada and the Glenbow Museum. Leila Sujir is a professor emerita in the Studio Arts Department at Concordia University. She leads an art research studio-lab based at Concordia University, Elastic 3D Spaces, that most recently received a SSHRC grant, Thinking Allowed (2022), and a Canada Council production grant (2022).
Oliver Husain is an artist and filmmaker. His projects are often collaborations with other artists and friends; and often begin with a fragment of history, a rumour, a personal encounter or a distant memory. He uses a wide range of cinematic languages, technical experiments and visual pleasures — such as dance, puppetry, costume, special effects — to animate his research and fold the viewers into complex narrative set-ups. Recent exhibitions include Beauties of Lucknow, a site-specific installation commissioned by Massey College, Toronto; Lenticoolers at Gallery Susan Hobbs, Toronto (with Malik McCoy); I don’t know you like that at University of Buffalo Art Galleries and Exposure at Camera Austria, Graz (both with Kerstin Schroedinger); all 2023. His website is husain.de; his livestream performances (with Amy Lam) are available on drip-drop.tv
Mani Mazinani was born in Tehran in 1984, he lives and works in Toronto. Mazinani’s interdisciplinary practice includes installation, video, film, sculpture, photography, multiples, sound, and music. He makes work that connects scale and perception, improvisation and ancient thought. Recent exhibitions and performances include Monitor 15 (SAVAC, 2023), Stories and Storefronts, Toronto (2022); Tate Modern, London (2019, with Michael Snow); The Bentway, Toronto (2018); Tehran International Electronic Music Festival (2017); Suzhou Industrial Park Culture and Arts Centre (2016); Asian Art Museum, San Francisco (2015); and CAB Art Centre, Brussels (2013).
Date
Thursday March 7, 2024Location
The Screening Room, 120 Princess Street, Kingston.Free Screening. All Welcome!
Thursday, March 7, 2024
6:00 p.m.
The Screening Room, 120 Princess Street
Outer Worlds film screening with an introduction by Dr. Janine Marchessault Artists Oliver Husain, Leila Sujir, and Mani Mazinani will be in attendance.
Outer Worlds is an extra-ordinary film program that features five, experimental IMAX films by Canada’s leading artists: Oliver Husain, Lisa Jackson, Kelly Richardson, Michael Snow, and Leila Sujir. The theme of the commissioned program is in keeping with the cinematic genre typical of IMAX films—the larger-than-life landscape that forms an outer world beyond the limits of the human sensorium.
Each of the films explores expanded cinema through different ecologies of the non-human: the forest, lichen, snails, water, and sky. The works propose different worlds of experience and distinct grammars of immersion through a meeting with the camera. The films imagine common worlds by reflecting upon the exigencies of intercultural and interspecies communication, a task that has taken on great urgency in the 21st century as we grapple with how to adapt to the ecological realities brought about by anthropogenic climate change.
Janine Marchessault is Professor in Cinema and Media Arts at York University, and holds a York Research Chair in Media Art and Social Engagement. Her research engages with the history of large screen media (from multiscreen to Imax to media as architecture and VR). She belongs to the CinemaExpo67.ca research group. Her latest project is an expanded cinema project, Outer Worlds (outerworlds.org) – commissioning five IMAX films by artists, which premiered at the Cinesphere in 2019 and will begin touring soon.
She is the Director of Archive/Counter-Archive: Activating Canada’s Moving Image Heritage (2018–2024), a research collaboration involving more than 20 community and artist-run archives devoted to diverse histories from Indigenous, LGBTQ2+, immigrant, and women’s communities. Her most recent monograph is Ecstatic Worlds: Media, Ecologies, Utopias (MIT, 2017) and co-edited collection Process Cinema: Handmade film in the Digital Age (MQUP, 2019).
Leila Sujir is an artist working in video and video installation. Over the last forty years, Sujir has been building a body of video art works using a mix of fiction, fantasy and documentary with visual and audio collage techniques. Her video art works have been shown in group shows at the Museum of Modern Art (New York) and the Tate Gallery (Liverpool), as well as galleries all over the world. Her work is in collections including the National Gallery of Canada and the Glenbow Museum. Leila Sujir is a professor emerita in the Studio Arts Department at Concordia University. She leads an art research studio-lab based at Concordia University, Elastic 3D Spaces, that most recently received a SSHRC grant, Thinking Allowed (2022), and a Canada Council production grant (2022).
Oliver Husain is an artist and filmmaker. His projects are often collaborations with other artists and friends; and often begin with a fragment of history, a rumour, a personal encounter or a distant memory. He uses a wide range of cinematic languages, technical experiments and visual pleasures — such as dance, puppetry, costume, special effects — to animate his research and fold the viewers into complex narrative set-ups. Recent exhibitions include Beauties of Lucknow, a site-specific installation commissioned by Massey College, Toronto; Lenticoolers at Gallery Susan Hobbs, Toronto (with Malik McCoy); I don’t know you like that at University of Buffalo Art Galleries and Exposure at Camera Austria, Graz (both with Kerstin Schroedinger); all 2023. His website is husain.de; his livestream performances (with Amy Lam) are available on drip-drop.tv
Mani Mazinani was born in Tehran in 1984, he lives and works in Toronto. Mazinani’s interdisciplinary practice includes installation, video, film, sculpture, photography, multiples, sound, and music. He makes work that connects scale and perception, improvisation and ancient thought. Recent exhibitions and performances include Monitor 15 (SAVAC, 2023), Stories and Storefronts, Toronto (2022); Tate Modern, London (2019, with Michael Snow); The Bentway, Toronto (2018); Tehran International Electronic Music Festival (2017); Suzhou Industrial Park Culture and Arts Centre (2016); Asian Art Museum, San Francisco (2015); and CAB Art Centre, Brussels (2013).
Date
Thursday February 1, 2024Location
Queen's University, Mackintosh-Corry Hall, room D 214.Please join SNID on February 1st, at 1:00 p.m. for an in-person presentation with Dr. Karen Dubinsky, Dr. Susan Lord and Diron Luis Morejon Pérez.
At Queen's University, Mackintosh-Corry Hall, room D 214.
Teaching Cuba: Lessons Learned
Queen’s has had a longstanding exchange program with the U of Havana. Between 2008 and 2023, hundreds of Queen’s students studied in Havana through the interdisciplinary Global Development Studies course “Cuban Culture and Society.” Two Canadian instructors and a former U of Havana student, all participants in the course, reflect on experiential learning, Global South education for Canadians, the Cuba we entered and the Cuba we left.