Frances, Mallorie

Mallorie Frances

Mallorie Frances

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialization: Paper
Areas of Interests: Photographic materials, manuscripts and ephemera, book conservation

Mallorie received a B.A. in Anthropology with a focus on Museum Studies from the University of British Columbia in 2019, following which she participated in a museology field school in Turin, Italy through the Institute for Field Research.
After graduation, Mallorie worked as a collections technician for the City of Richmond where she assisted with variety of tasks including cataloguing, condition reporting, artefact packing, exhibit installation, and more. In May 2021, she also began working as a museum assistant and later assistant curator at PoCo Heritage Museum and Archives, where she was involved in writing collection policies and overseeing the completion of a LAC grant-funded digitization project. During this time, Mallorie also explored her love for archival materials through printmaking, bookbinding, and film photography.

Vaughn, Joseph

Joseph Vaughn

Joseph Vaughn

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialization: Artifacts
Areas of Interest: Ceramics, contemporary art, archaeology, sustainability

Joseph graduated from Columbia University in 2015 with a BA in Visual Arts and a minor in Russian. While an undergrad he worked as a bibliographic assistant at the Metropolitan Museum of Art’s Watson Library and volunteered at the Bozeman Public Library and the Montana State University Archives in Bozeman, Montana. He worked for several years as a Collections Associate at the American Academy of Arts and Letters in New York City, assisting with contemporary art exhibitions and care of their art collections, library, and archives. He has also worked as a studio assistant for artists and a fashion designer in New York. His own studio art practice includes ceramics, drawing, and egg tempera painting.

Rodschat, Gabrielle

Gabrielle Rodschat

Gabrielle Rodschat

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialisation: Paper
Areas of interest: Works on cardboard, Dry pastel, Photographs and Modern materials

Gabrielle Rodschat graduated from Marianopolis College in 2019 with a Diploma of Collegial Studies in pure and applied science. Combining their interests in art and science, they graduated from McGill University in 2023 with a B.A. (honours) with Distinction in art history with minors in science and German language. Her undergraduate research focused on gender and queer studies with an intersectional approach. Through their studies of late 19th-century art, they gained an interest in materials used by Modern artists.

Biehl, Emily

Emily Biehl

Emily Biehl

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialization: Artifacts
Areas of Interest: preventive conservation, conservation of archaeological artifacts, conservation of organic materials

Emily completed a Bachelor of Design: Graphic Design for Marketing at Kwantlen Polytechnic University in 2015. After a few years of working as a graphic designer, travelling in Europe, making pottery, and volunteering at art galleries around Vancouver, BC, she began pursuing a career in art conservation. In 2021 she earned a Diploma in Art History at the University of British Columbia. She began volunteering at Fraser Spafford Ricci Art & Archival Conservation Inc, where she was later hired as part-time Pre-program Conservation Intern. Emily's unique background has given her a stable foundation from which to build her skills as a future art conservator.

Provost, Elizabeth

Elizabeth Provost

Elizabeth Provost

M.A.C. Candidate

Art Conservation Program

Stream: Conservation Science
Specialization: Early modern art
Areas of interest: Organic coatings on bronzes, patina, material science, technical studies of art, Renaissance and Baroque paintings and sculptures

Elizabeth Provost is an emerging museum professional and conservation scientist born and raised in Montréal, Québec. She completed her Honours Bachelor of Science with high distinction at the University of Toronto studying Chemistry and Art History. During her undergrad she served as Research Assistant for the Bernini’s Bronzes project—a technical study of GianLorenzo Bernini’s corpus of bronze works along with art theoretical, historical, and archival research of his production. She worked alongside an art historian, sculpture conservators, material and computer scientists—notably, Distinguished Professor of Early Modern Art at UofT, Evonne Levy, and material scientist and Bader Chair in Art Conservation at Queen’s, Aaron Shugar.
Elizabeth is now completing her two-year Master of Art Conservation with Dr. Shugar developing a non-destructive analytical protocol for the study of organic coatings made from oils and resins applied to bronze Renaissance sculpture.

Tyler, Daniel

Daniel Tyler

Daniel Tyler

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialization: Paper
Areas of Interest: paper ephemera, illuminated manuscripts

Daniel Tyler graduated from Radford University in 2023 with a BA in Art History. His undergraduate capstone focused on the conservation of Medieval and Renaissance playing cards. Dan interned as an undergraduate in 2021 at the Taubman Museum of Art in Roanoke, Virginia, where he researched information surrounding the artist E.V. Day's upcoming "Diva's Ascending" exhibition at the museum.

Nita, Andreea

Andreea Nita

Andreea Nita

M.A.C. Candidate

Art Conservation Program

Stream: Treatment
Specialization: Paintings
Areas of Interest: 
Italian And Dutch Renaissance Oil Paintings; Technical Art Analysis and Instrumental Techniques Used on Painted Historical Objects; Influences on Eastern European and Non-Western Art Culture 

Andreea Irina Nita graduated with Honours from Queens University in 2021, with a BA in Art History. She spent the first two years of her undergraduate degree in the Fine Arts program, before deciding her major. During her studies, she volunteered at the Union Art Gallery, the Kingston School of Art, and the Art History DSC. She also worked closely with collections at the Agnes-Etherington Art Center. After graduating, Andreea studied at the Cultural Heritage Conservation and Management program at Sir Sandford Fleming, graduating in 2023, where she learned object and materials conservation. During her last semester, she received an internship at Legris Conservation Inc. in Ottawa. She received treatment experience focusing on paintings during the internship, and additionally, had the opportunity to assist on an off-site treatment at the Canadian War Museum for an Alfred Munnings exhibition.  

Isabel and Alfred Bader Lecture in European Art with Dr Cécile Fromont

Date

Wednesday November 15, 2023
7:30 pm - 9:00 pm

AGNES presents:  

Isabel and Alfred Bader Lecture in European Art with Dr Cécile Fromont 

In-person and online, Isabel Bader Centre for the Performing Arts
15 November 2023
7:30–9 pm, with reception to follow 

“Encounter as Author in Early Modern Images from the Atlantic World” Presented by Dr Cécile Fromont 
Early modern central Africa comes to life in the vivid full-page paintings Italian Capuchin Franciscans, veterans of the Kongo and Angola missions, composed between 1650 and 1750 for the training of future missionaries. Their “practical guides” present the intricacies of the natural, social, and religious environment of seventeenth- and eighteenth-century west-central Africa and outline the primarily visual catechization methods they devised for the region. 
Unfolding outside of a European colonial project, at the demand of local rulers, and among populations who had engaged with the visual and material culture of Europe and Christianity for more than one hundred and fifty years, the Capuchin central African apostolate is without parallel in the early modern world. Equally unique are the images that emerged in the friars’ sustained and fraught interactions with the men and women of Kongo and Angola.
In this presentation, I analyze this overlooked visual corpus to demonstrate how such visual creations, though European in form and craftsmanship, did not emerge from a single perspective but rather were and should be read as the products of cross-cultural interaction. With this intervention, I aim to model a way to think anew about images created across cultures, bringing to the fore the formative role that encounter itself played in their conception, execution, and modes of operation.

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ASL interpretation and automated live captions. Watch via livestream at the Isabel Digital Concert Hall

BIOGRAPHY
Dr Cécile Fromont is Professor of the History of Art at Yale University. Her writing and teaching focus on the visual, material, and religious culture of Africa and Latin America with special emphasis on the early modern period (around 1500–1800), on the Portuguese-speaking Atlantic World, and on the slave trade. 
This program is supported by the Bader Legacy Fund and in partnership with The Isabel Bader Centre for the Performing Arts, in recognition of Bader Day on 15 November. 

Agnes Etherington Art Centre 
Situated within territories of the Anishinaabe, Haudenosaunee and Huron-Wendat, the Agnes Etherington Art Centre is a curatorially-driven and research-intensive professional art centre that proudly serves a dual mandate as a leading, internationally recognized public art gallery and as an active pedagogical resource at Queen’s University in Kingston. By commissioning, researching, collecting and stewarding works of art, and by exhibiting and interpreting visual culture through an intersectional lens, Agnes creates opportunities for participation and exchange across communities, cultures, histories and geographies.
Agnes is committed to anti-racism. We work to eradicate institutional biases and develop accountable programs that centre the artistic expression and lived experience of Black, Indigenous and People of Colour. Agnes promotes 2SLGBTQIAP+ positive spaces. 


36 University Avenue Kingston, ON K7L 3N6 
agnes.queensu.ca 

 

TORCHES FOR CANADIAN CULTURAL POLICY: VISUAL VOICES FROM THE KINGSTON CONFERENCE TO NEW LEGISLATION

Date

Wednesday November 1, 2023
6:00 pm - 7:15 pm

Location

Macintosh-Corry Room B201

Join the esteemed art historian, museum director, and former Senator, Honourable Pat Bovey, as she discusses the contemporary legacy of the famed "Kingston Conference", held in June of 1941. A watershed moment in the Canadian art world, the "Kingston Conference" brought more than 150 artists, museum directors, art historians and members of the public to Queen's University to discuss the place of the artist in society and its role within Canada. What is the contemporary legacy of that conference, and how does it relate to current legislation in the arts, including cultural diplomacy and reconciliation? 
This lecture is organized and sponsored by the Department of Art History and Art Conservation. 

Wednesday, November 1, 6:00 - 7:15 PM. Macintosh-Corry Room B201