For over 550 years, the passionate Magdalene has been running with her veil streaming behind, screaming, to the body of Jesus, dead on the ground. This life-size statue, originally painted to mimic flesh and clothes, pushes the limits of the medium, terracotta. Renaissance men and women could walk among Niccolo dell’Arca’s sculptures, feeling as if they were present at this terrible moment in Christian history. Dr. Una D’Elia’s research focuses on such living sculptures, stories of statues coming to life, and people touching, dressing, attacking, and generally treating sculptures as if they were alive.